The text is a title or phrase referring to a religious or scholarly work. The translation is: "Matn Al-Shatbiya, the amulet of wishes, and the face of congratulations, small"

Small text of the Shatibiyyah, the protective amulet of wishes and the face of congratulations. The small text of the Shatibiyyah is considered one of the best written compositions in the science of recitations, where it gathered what was transmitted from the seven imams of reciters: Nafi’, Ibn Kathir, Abu ‘Amr, Ibn ‘Amir, ‘Asim, Hamza, and Al-Kisai. Book specifications: Author: Al-Qasim bin Fira’ bin Khalaf bin Ahmad Al-Shatibi Al-Ra’ini Al-Andalusi Verification: Muhammad Tamim Al-Zaghbi Number of pages: 111 pages Subject of the book: Science of recitations Book contents: Introduction to correction The preface of the book Chapter on the names of the reciters and their transmitters Chapter on symbols indicating the reciters and their transmitters individually Chapter on symbols indicating the reciters and their transmitters collectively Chapter on the terminology of the system (nash) Chapter on seeking refuge (istiaadhah) Chapter on the Basmala Chapter on Umm Al-Qur'an (the mother of the Qur'an) Chapter on the big Idgham (merging) Chapter on merging of two similar letters within a word and between two words Chapter on the letter Haa of kinship (pronoun) Chapter on prolongation and shortening Chapter on the two hamzas (glottal stops) within a word Chapter on the two hamzas from two words Chapter on the solitary hamza Chapter on transferring the movement of the hamza to the preceding silent letter Chapter on Hamza’s stopping (waqf) according to Hamza and Hisham Chapter on clear pronunciation (zahir) and merging (idgham) Mention of the letter Thal (ذ) Mention of the letter Dal (د) Mention of the Taa of feminine (تاء التأنيث) Mention of the Lam of “Hal” (هل) and “Bal” (بل) Agreement of their merging in “Idgham” with “ذ” and “تاء التأنيث” and “هل” and “بل” Letters with close articulation points Rules of the silent Noon and Tanween Fathah (opening) and Imlaa (tilting) between the two pronunciations The view of Al-Kisai on tilting the Taa of femininity at stopping Their views on the Raa (ر) The Lams (لامات) Stopping at the ends of words Stopping at the line notation (muroosum al-khat) Their views on the Yaa of addition (idhaafa) The extra Yaa’s (yaa’aat zawaid) The decoration of the words (farsh al-huroof) The Holy Qur'an The Takbeer (Allahu Akbar) The articulation points of the letters and their attributes that the reciter needs A table of symbols indicating the reciters and their transmitters individually and collectively