Love book, author: Abdulazim Finjan

There is no single definitive image of the woman in these texts, with which one can refer to a specific woman, despite her many details; she is not embodied in herself, but scattered in the caves of the ode and its multiple terrains, and thus she is the woman of mysterious and magical details that are endowed upon her by the breath of language and the halo of imagination, making her complete and unrealized at the same time. The woman in the cup poetry: a procession of women, or perhaps all women, or she is the woman of women, and with this degree of complex exaltation of her identity, he tries to lean towards myth as an alternative to the emptiness of the world. Thus, the wanderer of his whims and states in love moves between a seemingly dominant Platonic tendency, alongside a mild eros, highly suggestive and not reckless. These are comprehensive rhetoric and precise pathways through which he takes woman out of the stereotypical frame of her religious and social image, and through which he navigates the world's entanglement to return her to her mythical banks, or to elevate her and her with a heavenly spirit or an angel. Muhammad Mazloom. Number of pages: 377