A broken flute from the wrong place, by: Haider Qahtan

Haydar Qahtan's marriage is a mandatory, the absurdity of the unique paradox - which has become like two signs for texts of the third millennium, due to a different style, I can call it: Surreal Romanticism, which is a mixture of cheerful gloominess! and nothingness, and the flogging of values and the self outside the community, he opens the machine of life and begins to repair its dissonance, and removes its ugliness, so how is the present if not a pierced naya from the wrong place?! Rather, how will poetry look if it is not so. Dr. Siraj Muhammad. As I have read and read for Haydar Qahtan, I see clearly an spontaneity and innateness that has not been repeated much in Iraqi poetry, Qahtan writes starting from himself alone and his personal adventure without references, spontaneous and unexpected, more concerned with surprise than linguistic weight, and more poetic than verbal ornament. Ali Wajih. Number of pages: 107