The hateful body of the woman, authored by Ibrahim Mahmoud

The researcher in the body of woman "Al-Luwaiathani" through what is countless studies that have addressed it, possesses a sense of strangeness and shock of the recorder, and he is under the weight of this cultural and historical legacy that revolves around it. The body of woman has a very personal history, as if the desire to write an actual history, and to be a sincere desire, and seeking the truth, must be based on a will to know, which is to grant this body a broader presence, as if there is an urgent need here, to treat the history itself, and to purify its stains that have enveloped it due to this violence directed at the body of woman, whether it is about a moral or unconscious deterrent. There is no shame in beauty if one makes every effort to determine different mechanisms of work, and to foresee a different horizon for looking at the structure of this body, aiming to present all that has been written about it in the past, specifically when referring to the maternal relationship or the significance between woman and the world. And this represents a challenge - in itself - for those who try to preserve the meaning of this connection, and then approach the nature of the truth formed behind this push into history because it is expressed so masculinely, to pay a debt, i.e., to reclaim rights that make beauty truly permissible. This approach is when considering the body of woman and how it was burdened, hidden from sight, or reduced behind more than one veil, and the veil itself was treated as if woman does not possess a body that breathes or lives like a man's body; rather, a body that is only looked at in very special cases, a body governed by a history that was not consulted or listened to, and is subject to its own essence, deprived of a vital being capable of speaking, deciding its fate, offering suggestions, or issuing judgments in contrast, from the perspective of its ability to affirm difference, and the magnificence of difference, where beauty is nothing but acknowledgment of this diversity. It is a long history that greatly captivated the researcher, in its striking movement and strange synthesis in various writing attempts, a history of this very special ingenuity in producing the body, as if it predetermined its fate to be used or circulated, or to generate pleasures without review; and despite that, the speaker of the male discourse and whether language transcends masculinity, and the poor archive of masculinity until now?!, all talk about the injustice and oppression of women or the inferiority of women, by anyone, especially by those responsible for society or doctrine, is not free from conspiratorial aspects and bias against history itself, while the body of woman continuously faces the inertia of history, with blood flowing inside and outside, and actions of female victims. It is, rights, and silencing voices, when recognizing this body through: the slave, the servant, the courtesan, and the concubine... and all these classifications leave woman, as a physical being, without a way to comfort or rest with her body, to enjoy it or to surrender to it away from subconscious suggestions or obsessive fears and other such illusions that keep woman as a body placed outside her sexual and gender belonging, and thus it is represented as an idolized equation of the oppressed or when she is domesticated, on a tragic decline in her presence to what is human. Within this philosophical approach, this study comes about the body of woman in an attempt to explore what has stripped woman and her body of her human dimensions, which required the researcher to take a tour through what has shaped the culture of the woman's body in sociological, philosophical, historical, and doctrinal writings. Number of pages: 238