Abstraction: outlets of innovation and experimentation, authorship: Bushra bin Fatima

When forms triumph over the image and are formed in the painting, abstraction bears its visions and surpasses its scope, becoming a rebirth loaded with readings and interpretations, and with dimensions and visual philosophy; those from which the abstract artists saw the world, through small holes that challenged the initial intuition of images after the First World War, and the consequences of philosophical ideas and optics in search of style with the novelty of changes and the repercussions of what happened to the world. Thus, with its details, those images were rendered and began to absorb dark shadows, contain the vast emptiness in its search, and intensify different aesthetic perspectives by focusing on the nature of new artistic elements, and the new understanding of the idea of the artwork in bright details with color, and sometimes dark within the series of abstract search for light outlets that pass between lines and across spaces to tell about their existential and intellectual intertwinings and ways of explaining reality and expressive impact through color symbols and innovative visual elements that made the abstract school more loaded with terminology, experimental details, and implementation innovations between each region and according to each vision. Throughout each historical period, I tried to interpret it in the idea of the absence of image and form, transcending the usual boundaries of the artwork.