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The novel "The Commander’s Murder" by Haruki Murakami has been published in two parts in Arabic, each sold separately. The first part is titled "An Idea Appears," and the second part is titled "Metamorphosis." The novel is considered one of Murakami's first works translated directly from Japanese into Arabic, not through an intermediary language. The book was published with an accessible translation by Maysara Afifi by Dar Al-Adab, as part of a collection of translated works that includes Murakami's latest writings. Overview of "The Commander’s Murder 2: Metamorphosis" A skilled painter capable of capturing the hidden secrets behind the faces of the people he depicts. A confusing painting created by a great artist, found decades later in a house shed. A heartbeat in a forest surrounded by strange neighbors. And a bell with a majestic and sorrowful chime that slips between the trees of the forest in the heart of the night. A novel about the constructive power of art and the destructive power of violence; about the ability to turn our fragility into gold, no matter how dark our days seem. As usual, Murakami fascinates us with revealing the supernatural within us amid our monotony, discovering magic in the details of our daily lives. Murakami’s usual characters are people who feel lonely, live in isolation, and lack any notable social life, which perhaps makes the bizarre events he arranges for them astonishing and surprising. And no matter how often the themes of intertwined times, talking animals, or even jazz music recur in his novels, the Japanese genius manages each time to captivate his readers with his distinctive style and unique plots. They said about the book "The Commander’s Murder" As usual, Murakami fascinates us with revealing the supernatural within us amid our monotony, discovering magic in the details of our daily lives. The Guardian In "The Commander’s Murder," Murakami’s genius moves beautifully between reality and delirium. Der Spiegel Quotes from "The Commander’s Murder 2" Look deeply into anyone, and you will find something sparkling inside. My job is to reveal this thing, and if the surface is blurry (as it often is), I wipe it with a cloth until it shines again. If I don’t do that, the dark side will automatically appear in the painting. The matter, as I see it, is that there is a point in every person’s life when they need a radical change. And when that time comes, you must cling to it. Hold on tightly, and never let it slip away. Some people can do that, and others cannot.