Aunt Khoulia and the screenwriter

The novel of Aunt Kholia and the screenwriter was issued for the Peruvian writer who won the Nobel Prize in Literature, Mario Vargas Llosa, with a beautiful translation by Mark Jamal, published by Al-Jamal Publications, as part of distinguished translated novels that include most of the works of the great writer. A brief about Aunt Kholia and the screenwriter I kept thinking about the life of Pedro Camacho. What social environment, and what chain of people, connections, problems, coincidences, and events, resulted in that literary message (do I see it as literary? And if not, then what is it?), that message which was realized for him, crystallized in his works, and for which he has an audience? How could he be a comic version of the writer, even though he is the only person deserving to be called a writer in Peru, considering the time he dedicated to writing and the works he accomplished? Are those politicians, lawyers, and teachers who carry titles of poets, novelists, and playwrights, writers just because each of them has composed a poetic booklet or a short story collection in a brief period of their lives, most of which they spend in activities far from literature? Why are those who take literature as decoration or pretext more deserving than Pedro Camacho to be called writers, when he lived solely for writing? Quotes from the book of Aunt Kholia and the Screenwriter Truth has always been an art, but falsehood is not. Do not be ashamed of who you are, and think that all humans are hyenas. As for kindness, it simply means mastering hypocrisy.