The program - Amjad Al-Mohsen

In this book, the Saudi poet Amjad Al-Mohsen revives one of the ancient Persian poetic arts, which is "Rahatam," introduced with a definition found in the book "Taj al-‘Arous," which states: Al-Rahatam, Al-Rahmanj, and Al-Rahmani. The Arabs used it, and its origin is Rah Tameh, meaning "the book of the road," because Rah is the road and Namah is the book, and it is the book with which the rababnah (a musical instrument) is played and with which they issue fatwas in the depths of the Qara’i and others. The book "Al-Rahnam" in its new form, according to the poet "Amjad Al-Mohsen," appears to be a literary genre, close to the art of "Al-Arjuzah" or the art of "Sufi love," as well as the poetry of "Andalusian" poetry. It is, in its essence, a source of inspiration, divine revelation, and the poet's spirit, but the poet's spirit pulls him toward music... So he wonders: "Am I a musician who decided to be a poet, or a poet who wants to go beyond his limits to another possibility? Music in everything is my obsession. My universes are multiple... inside my universe, I am a poetess... and it seems to me that growth is not growth... but rather fleeing from one entity to another." Along the same path, the poet continues, transporting us to emotional worlds characterized by purity, tranquility, and an unseen unity with all elements of nature - earth, sky, moon, stars, sun, and sea - as if in a metaphysical, divine experience, resisting sensory perception and reason. He asks about the way across the sea, like his ancestors the rababnah, soaring through his voyages and imagination, trying to reach the Sidrat al-Muntaha... The titles of the book's texts are: "Alif," "Raqsh," "Naseejah," "Tahdeer," "Rash," "Tawaz," "Tariqa," "Muzamm," "Khatam," "Jama," and "Qisht."