The subtleties of the eloquence in the calligraphy of the Quran, an explanation of the source of the thirsty

This is a book: "Lata'if al-Bayan fi Rasm al-Qur'an" with an explanation of "Mawrid al-Zam'an," by Imam Muhammad bin Muhammad al-Amawi al-Sharishi, known as al-Khuras. I present it in its first edition to those who are connected to the Noble Qur'an and its sciences, especially students of the specialization section at the Institute of Recitations. I have taken care to make it concise in wording, easy to understand, and clear in style. I aimed to explain the poet's words in the shortest and simplest way for students, often not restricted to a report or command, as in the explanations of the commentators. I will usually mention when the words are omitted or affirmed or otherwise, and the surahs in which they occurred. I will also mention a summary of the ruling after completing each part to help the student gather that information in their mind. Since the poet's intention in "Mawrid al-Zam'an" was to mention the calligraphy of the Mushafs according to the reading of Nafi', I found it beneficial to include after each quarter of the "Mawrid" what is contained in the "Tashil al-I'lan" by Imam Ibn 'Aasher, which differs in the calligraphy of the Mushafs, then follow it with the "Tashil al-I'lan" in that quarter, with a brief explanation of what is in the poem, so that the student does not waste time searching for the calligraphy in other books. And despite the effort I have put into this, I do not present it without flaws; as they used to say: "He who writes has aimed." My role is like everyone who tries to compile a research or write a book — sometimes they succeed in excellence, and sometimes they stray from the right path. And enough for a person is nobility that they count their shortcomings.