Awareness and narration.. awareness in broad daylight (Part 1)

The book of awareness and narration We find between the pages of its first part the works of the most prominent novelists in the 19th and 20th centuries AD, to study the form of monologue and the extent of its change and development from one writer to another. Unlike Stendhal and Balzac, whose monologue is positioned within the tradition of Socratic theatrical monologue, we see that the French poet and novelist Hugo's form of monologue resembles {a storm under the skull} according to the famous title of his masterpiece Les Misérables. He does not rely in his works on an all-knowing narrator to conceal others' hearts because it is impossible; rather, it is a purely divine gift. Hugo does not tell us details about his characters as Balzac does, and his characters are usually silent and unknown, sometimes even called by pseudonyms, and often confused and hesitant, not knowing themselves. • Jean-Louis Chrétien: French philosopher and poet. Among his works: L’arche de la parole (1998), L’appel et la réponse (1992), Le regard de l’amour (2000) • Sumiya Al-Jarrah: Worked as a linguistic lecturer at the university Read more: https://www.aljarida.com/articles/1477495586291482900