The Arabic novel between the read text and the visual text

Can the process of reading itself be carried out, away from invoking or synthesizing an urgent or future image that overlaps with every reading moment, even at the level of spelling a word by itself? Conversely: can any of us watch a visual scene, view, or image displayed within a certain frame, without recalling a language represented by a specific word or sentence that brings us closer to it? In bringing the two cases closer, how can the lines of open interaction between them be formed, and through them, we are faced with a set of influences that are unstable and unbounded? No