Oh, this world

The author in this book tries to recreate the past from his narration of a story and to evoke a certain atmosphere. He has recreated the true self of that main character, even breathing life into it practically, using the speaker's language, which was a historical figure imprisoned by distortion through history itself. The character of Ming is an expression of the novelist's self, Brahmudia, of his dilemma, and only he is capable of bringing such an amazing mixture of characters and stories and mixing them together to swallow the reader in that process. The character of Ming himself forewarns of the coming of that thing that will trap every person and will not leave any part of society free from disturbance: the coming of a revolutionary future and the awakening of the people. In this novel, the translator followed two main principles: the first is trying to fill the novel with a linguistic form that provides enjoyment for the reader and makes the novel easy to read while preserving the text's integrity. The second is avoiding giving priority to the language of the translation over the original text, which is sometimes emphasized.