Inside the vision and outside it, the cinematic shot

If we understood cinema with its inherent and objective abilities as capable of fully depicting (the dimension in time with the dimension in space) and that through this achievement it embodied its specificity and uniqueness from the creative requirements of other arts, then it has confirmed through its practical interaction that it does not stand at a fixed limit nor can it live at the limit of the absolute, because all those relationships between the two dimensions are variable in many natural and experimental cases.