Against memory

Damn this innovation "free verse" that Jean Cocteau criticizes for its lack of phonetic significance, and عز الدين المناصرة follows him, demanding its return to the poetic house of obedience, provided it adheres to phonetic significance and rhythm specifically to complete the history of the poetic lineage, so as not to break away from the pattern, or the mood, or the archive of Arab memory, while سليم بركات insists on emphasizing its greatest lineage to poetry, as one of the most prominent manifestations of modernity, and سعدي يوسف sees it as a means to elevate poetry from zero.