Engagement

Occupied by "Baha Thar" with the spirit of the human, always striving to retrieve it, to save it from destruction, from loss, from ugliness, from the tyranny of hatred, from the mud of things, and from the dust of time and place, occupied with the preoccupations of saints and great artists, he sees the past rushing to forgetfulness, and the present running transforming into the past, so he calls upon all his resolve, all his delicate feelings, all his highly capable memory to store, to establish from all this a high dam that prevents time from rushing over the values that "Baha Thar" wants to remain, because they are the most beautiful that the human spirit carries. "Ali Al-Ra'i" In "The Engagement" we see a world devoid of excesses and additions, very dense and economical, it seems as if it is completely neutral or on the verge of indifference, but beneath this deceptive neutral cloak is filled with emotions, and human longings and passions both simple and complex. "Sabri Hafez"