Daniel's ages in the city of threads

In the first sentence of Daniel's ages in the city of threads, we read a scene of puppets on balconies and windows looking at a bloody slaughter scene below, this doubled mutant, or the double death, oppresses us in the heart of shock and opens our eyes to a city burdened under a heavy punishment. We encountered in "One Thousand and One Nights" more than a mutilated city, either as divine punishment, or without a clear reason like "The City of Copper." But the humans of punished and unpunished cities in the nights turn into statues, and they no longer feel pain, unlike the human puppets in this city who feel terror from killing from the confusion of their children amidst the chaos of the city drowning under an endless rainstorm, and despite the punishment inflicted upon them and their city, they still have the desire to survive, trying to do something, while Daniel, the son of light, the son of darkness, sits continuously writing pages he stacks behind him, as if he were Pharaoh building a pyramid of papers to immortalize himself while the symphony of Rameau Larghetto by Schubert repeats as if it were a cosmic cosmic performance. Ahmad Abdul Latif built the city of dolls from a wounded imagination; because fantasy here is firmly rooted on the ground, emerging from reality and returning to it. "The Publisher"