The civilizational critique of post-colonialism discourse

In this book, the civilizational critique of post-colonial discourse: models of autobiography and issues of blackness and identity, the author resumes the discussion on civilizational critique, both theoretical and practical, and has added to his previous research something new: he raised a central issue concerning the colonial truth during a period referred to as the "post-colonial period." Through this, he began to explore a kind of literature known as "postcolonial literature." The phrase "post-colonial" suggests liberation and the restoration of sovereignty and decision-making, but in reality, it is a deceptive, masked term, and a form of new colonialism, with images and forms in creative literary output and other types of discourse that are explored within the relationship between the colonizer and the colonized. This relationship is revealed through "dialectical questions with civilizational significance" regarding concepts of margin and center, self and other, blackness and white ideology, and all colonial perceptions of culture, language, identity, color, and race. The civilizational approach has justifications (no less important than the aesthetic experience, and it shares with it in understanding the formation of the cognitive dimensions of discourse). This is a new horizon of research called "Poetry of Ideas," and the core of this poetry—in his project—is centered on ideas that are born, ferment, mature, travel, settle, renew, be recovered, supported, refuted, presented, and challenged. It is a new poetic approach where literature meets philosophy within the scope of civilization, taking the critical mind out of focusing solely on the superficial identity of discourse and its stereotypical boundaries, and into the broad fields of intellectual discourse, thus engaging in objective civilizational and historicist practices that question issues of existence within discourse.