Critique of pure reason

From Faust, and from Christ facing Pilate, and from Matthew and Judas, and Kant, and Tolstoy, and Gogol, and others, Bulgakov draws his vision in facing those days of severe oppression on the people in the Soviet Union, where accusations of treason, hatred of foreigners, suspicion of everyone, and arrest for the slightest reason spread, and where several families live in one apartment, and people seek to improve their conditions through flattery and deception... He confronts, with a satirical humorous spirit, that satanic madness and those surrealist conditions. - Dar Al-Tanweer. An astonishing soaring novel; it is a strange melting of highly different elements... As if it were a musical piece played by the organ, flute, and zurna together, while someone sets off fireworks among the feet of the musicians — New York Times. It is truly one of the greatest Russian novels of this twentieth century — New York Book Review. An impressive, contemplative, mysterious, and joyful work to the utmost — Chicago Tribune. Noble, humorous, wide-ranging, imaginative... rightfully occupying its place among Gogol's great satirical heritage — Newsweek. A wild, surreal joy... a dazzling, scandalous, shining novel — Joyce Carol Oates. Sparkling, enchanting, humorous, deeply profound, sometimes bewildering... a rich political, social, satirical work that liberates the reader and presents a profoundly moral political example... a piece of masterful performance within a truly heroic masterpiece; it is a festival of imagination — from the introduction by Simon Franklin. Number of pages: 504 Publisher: Al-Tanweer Author: Emmanuel Kant